New Objectivity
Query URLs
https://term.museum-digital.de/md-de/tag/2462
- Note
- The New Objectivity (in German: Neue Sachlichkeit) was a movement in German art that arose during the 1920s as a reaction against expressionism. The term was coined by Gustav Friedrich Hartlaub, the director of the Kunsthalle in Mannheim, who used it as the title of an art exhibition staged in 1925 to showcase artists who were working in a post-expressionist spirit. As these artists—who included Max Beckmann, Otto Dix, George Grosz, Christian Schad, Rudolf Schlichter and Jeanne Mammen—rejected the self-involvement and romantic longings of the expressionists, Weimar intellectuals in general made a call to arms for public collaboration, engagement, and rejection of romantic idealism.
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Vater in blauer Jacke
Friedrich Karl Ströher (* 3....
Object information
Image: Hunsrück Museum Simmern, Friedrich Karl Ströher-Stiftung - CC BY-NC-SA -
Selbstporträt mit Stahlhelm
Friedrich Karl Ströher (geb....
Object information
Image: Hunsrück-Museum Simmern - CC BY-NC-SA -
Carlo Mense: Dame mit Katze (Portrait Mathilde de Buhr), um 1918/19
Carlo Mense (geb. 13. Mai...
Object information
Image: Museum Schloss Homburg - CC BY-NC-SA -
Gemälde "Offenes Fenster" von Walter Schulz-Matan
Das Bild zeigt einen leeren...
Object information
Image: Glockenmuseum und Stadtmuseum Apolda - CC BY-NC-SA -
Drei Mädchen
Auf einer Wiese liegen drei...
Object information
Image: Kulturstiftung Sachsen-Anhalt, Punctum/Bertram Kober - RR-F
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