Ecce Homo

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A scene of the ecce homo is a standard component of cycles illustrating the Passion and life of Christ in art. It follows the Flagellation of Christ, the crowning with thorns and the mocking of Jesus, the last two often being combined:[b] The usual depiction shows Pilate and Jesus, a mocking crowd which may be rather large, and parts of the city of Jerusalem.

But, from the 15th century in the West, and much earlier in the art of the Eastern church, devotional pictures began to portray Jesus alone, in half or full figure with a purple robe, loincloth, crown of thorns and torture wounds, especially on his head, and later became referred to as images of the Ecce homo. Similar subjects but with the wounds of the crucifixion visible (Nail wounds on the limbs, spear wounds on the sides), are termed a Man of Sorrows (also Misericordia). If the instruments of the Passion are present, it may be called an Arma Christi. If Christ is sitting down (usually supporting himself with his hand on his thigh), it may be referred to it as Christ at rest or Pensive Christ. It is not always possible to distinguish these subjects.
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  • Kleines Andachtsbild für Johannes Borkowski

    Kleines Andachtsbild für Johannes Borkowski

    Zweiseitig bedrucktes Bild im...

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    Image: Museum Wolmirstedt - RR-F

  • David Hescheler: Ecce-Homo-Gruppe

    David Hescheler: Ecce-Homo-Gruppe

    David Hescheler zählt zu den...

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    Image: Ulmer Museum - CC BY-NC-ND

  • Martin Schaffner: Christus als Schmerzensmann zwischen Maria und Johannes, so genanntes Erbärmdebild

    Martin Schaffner: Christus als Schmerzensmann zwischen Maria und Johannes, so genanntes Erbärmdebild

    Das Ulmer "Erbärmdebild"...

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    Image: Ulmer Museum - CC BY-NC-ND

  • Ecce Homo

    Ecce Homo

    Hinterglasbild im originalen...

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    Image: Altertumsverein 1851 e.V. Riedlingen - CC BY-NC-SA

  • Galleria Corsini. Ecce Homo.

    Galleria Corsini. Ecce Homo.

    Die Gebrüder Alinari, nach...

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    Image: Kulturstiftung Sachsen-Anhalt - CC BY-NC-SA

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